Recording engineer, live sound engineer & Women in Sound publisher Madeleine Campbell

📷 Nico Segall

Wednesday, 31 October 2018
5PM @ University of Pennsylvania
Lerner Center / Music Building
room 101

Madeleine Campbell will speak about her work as a recording engineer, studio owner (Accessible Recording), live sound engineer, and publisher of Women in Sound.

This talk is free and open to the public.

https://www.facebook.com/events/725542937812084/

Multitrack Audio Mixing workshop w/ Madeleine Campbell

📷 Heather Mull

Thursday, 1 November 2018
6:30-8:30PM
@ Asian Arts Initiative
1219 Vine Street
Philadelphia, PA 19107

Fundamentals of Multitrack Audio Mixing: In this intro-level workshop, use ProTools to explore organizing a multitrack session, basic parameters of mixing and file management. No experience necessary. Attendees are encouraged to bring projects and questions.

Pittsburgh-based audio/sound engineer Madeleine Campbell publishes Women in Sound and runs Accessible Recording.

This is a free workshop, and all are welcome. Special thanks to our partners, Asian Arts Initiative & Girls Rock Philly.

https://www.facebook.com/events/313207426172257/

The 78 Project Meets the Penn Arab Music Ensemble Trio

The Penn Arab Music Ensemble Trio L-R: Hanna Khoury, (Hicham Chami), Hafez Kotain & Kinan Abou-afach ? Dave Tavani
The Penn Arab Music Ensemble Trio
L-R: Hanna Khoury, (Hicham Chami), Hafez Kotain & Kinan Abou-afach
📷 Dave Tavani
8976208212fdaebd2d469b575ee8f949_original
Lavinia Jones Wright & Alex Steyermark of The 78 Project

 

 

 

 

 

 

Wednesday, 16 November 2016
5PM @ Lerner Center / Music Building 101
Department of Music
University of Pennsylvania
201 South 34th Street
Philadelphia, PA 19104

Alex Steyermark & Lavinia Jones Wright of The 78 Project will meet the Penn Arab Music Trio for a discussion and a direct-to-disc recording session on Wednesday, 16 November 2016. Trio members Hanna Khoury (director of the Penn Arab Music Ensemble), Hafez Kotain, & Kinan Abou-afach will perform 2 pieces, one by the father of Egyptian popular music, Sayed Darwish, and one by cellist/composer Kinan Abou-afac. Question & answer to follow the recording session. This program is open to all, and will offer a rare glimpse of the disc-based recording practices of yesteryear that continue to influence how we create, listen to, consume, and study music today.

additional support provided by the kind people of the Year of Media Grants.

click for pdf