(click on the title for production photographs.)

  • Pericles, by William Shakespeare, Theatre Division, Columbia University, 1978.
  • The Devil’s Disciple, by G. Bernard Shaw, Princeton Summer Theatre, 1980.
  • Not I and Rockaby, by Samuel Beckett, Intuitons, University of Pennsylvania, 198l.
  • As You Like It, by William Shakespeare, Penn Players, University of Pennsylvania, 1982.

For the Theatre Arts Program at Penn:

Semi-staged script-in-hand readings:

  • The Spanish Tragedy, by Thomas Kyd, The Red Heel Theatre, 1993.
  • The Good Person of Szechwan, by Bertolt Brecht, Theatre Arts Program, University of Pennsylvania, 1996.
  • Spring Awakening, by Frank Wedekind, Theatre Arts Program, 1999.
  • Engaged, by William S. Gilbert, Theatre Arts Program, 2008.
  • Cyrano de Bergerac, by Edmond Rostand, translated by Michael Hollinger, adapted by Michael Hollinger and Aaron Posner, Theatre Arts Program, 2011.
  • The Octoroon by Dion Boucicault, Theatre Arts Program, 2016.

In addition, he has acted in the Theatre Arts Program productions of The Bacchae by Euripides (as Kadmos, 1992), and in1984 (as Emanuel Goldstein, 2018), both directed by Jim Schlatter; and served as guest dramaturg for productions of The Importance of Being Earnest, by Oscar Wilde (1993), Misalliance, by G. Bernard Shaw (1994), Heartbreak House, by Shaw (1998), and The Merchant of Venice by William Shakespeare (2002), at People’s Light & Theatre Company.