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Japan and Paris/Paris and Japan
  • Object Talks
    • Galeries Lafayette
    • Musée de l’Orangerie
    • Japanism, Musée des Arts Décoratifs
    • Throne, Musée du Louvre
    • Rouen Cathedral
    • Sculpture of Arhart, Musée Guimet
    • Peacock Textile, Musée Guimet
  • Attribution Challenges
    • Shōsai Ikkei, Thirty-six Amusing Views of Famous Places in Tokyo: Kyobashi Bridge, 1872
    • Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885
    • Toyohara Kunichika, Viewing Cherry Blossoms, 1881
    • Yōshū Chikanobu, Preparation for an Evening Concert (from Onna reishiki no zu), 1893
    • Toyohara Kunichika, Thirty-Six Views of the Eastern Capital, 1865
    • Kobayashi Toshimitsu, The Horse that Saved Its Owner by Sacrificing itself after it understood its Master’s Words, 1882
    • Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885
  • Abstracts of Final Papers
    • Beyond Blue: The Fluidity of Influence in Marines by Homer and Hokusai
    • Imperial Exposures: The Multiple Photographic Bodies of Rulers in the Meiji Period
    • The Porcelain Edge: The Question of Danish Japonisme
    • Reviving Rimpa: Kamisaka Sekka’s Books in the Tress Collection
    • A Pair of Six-Panel Screens and the Questions of the Ruin in Meiji Aesthetics
  • Related Seminars
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Previous Seminars

 

THE HISTORY OF THE BOOK IN EAST ASIA
ARTH 517/EALC 260/660, Spring 2018
ARTH 774 Japan and Paris, University of Pennsylvania