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Japan and Paris/Paris and Japan
  • Object Talks
    • Galeries Lafayette
    • Musée de l’Orangerie
    • Japanism, Musée des Arts Décoratifs
    • Throne, Musée du Louvre
    • Rouen Cathedral
    • Sculpture of Arhart, Musée Guimet
    • Peacock Textile, Musée Guimet
  • Attribution Challenges
    • Shōsai Ikkei, Thirty-six Amusing Views of Famous Places in Tokyo: Kyobashi Bridge, 1872
    • Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885
    • Toyohara Kunichika, Viewing Cherry Blossoms, 1881
    • Yōshū Chikanobu, Preparation for an Evening Concert (from Onna reishiki no zu), 1893
    • Toyohara Kunichika, Thirty-Six Views of the Eastern Capital, 1865
    • Kobayashi Toshimitsu, The Horse that Saved Its Owner by Sacrificing itself after it understood its Master’s Words, 1882
    • Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885
  • Abstracts of Final Papers
    • Beyond Blue: The Fluidity of Influence in Marines by Homer and Hokusai
    • Imperial Exposures: The Multiple Photographic Bodies of Rulers in the Meiji Period
    • The Porcelain Edge: The Question of Danish Japonisme
    • Reviving Rimpa: Kamisaka Sekka’s Books in the Tress Collection
    • A Pair of Six-Panel Screens and the Questions of the Ruin in Meiji Aesthetics
  • Related Seminars
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Shōsai Ikkei, Thirty-six Amusing Views of Famous Places in Tokyo: Kyobashi Bridge, 1872

Shōsai Ikkei, Thirty-six Amusing Views of Famous Places in Tokyo: Kyobashi Bridge, 1872

by Erin Wrightson | Nov 30, 2018

Shōsai Ikkei (identity unknown) Thirty-six Amusing Views of Famous Places in Tokyo: Kyobashi Bridge, 1872 Polychrome woodblock printed; ink and color on paper Gift of Tom Musco In the series Thirty-six Amusing Views of Famous Places in Tokyo, Shōsai Ikkei parodies...
Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885

Toyohara Chikanobu, Tango – Boy’s Day Festival (May 5), 1885

by Tyler Shine | Nov 29, 2018

  Toyohara Chikanobu (1838 – 1912) Tango – Boy’s Day Festival (May 5), 1885 Color woodblock print, oban triptych In this print, Toyohara Chinkanobu (1838–1912) looks back to the Edo Period (1603–1868) to depict Tango no Sekku or “Boy’s Festival,” one of the...
Kobayashi Toshimitsu, The Horse that Saved Its Owner by Sacrificing itself after it understood its Master’s Words, 1882

Kobayashi Toshimitsu, The Horse that Saved Its Owner by Sacrificing itself after it understood its Master’s Words, 1882

by Tim Zhang | Nov 29, 2018

Title:『馬主人の言辞に感じて 身命を委てこれを救ふ』 The Horse that Saved Its Master by Sacrificing itself after it Understood Its Master’s Words (Uma shujin no kotoba ni kanjite inochi wo sute kore wo sukū) Date: March 1st, 1882 Artist: Kobayashi Toshimitsu (active in Meiji period) 小林年参...
Toyohara Kunichika, Thirty-Six Views of the Eastern Capital, 1865

Toyohara Kunichika, Thirty-Six Views of the Eastern Capital, 1865

by Ramey Mize | Nov 21, 2018

Artist: Toyohara Kunichika (1835–1900) Titles: Left: Eitai Bridge, with a Portrait of the Actor Kawarazaki Mimasu in the Role of Kozaru Shichinosuke Right: Ichimura Uzaemon as Carpenter.  Year: 1865 Medium: Polychrome woodblock print; ink and color on paper Gift of...
Yōshū Chikanobu, Preparation for an Evening Concert (from Onna reishiki no zu), 1893

Yōshū Chikanobu, Preparation for an Evening Concert (from Onna reishiki no zu), 1893

by Alyssa Garcia | Nov 12, 2018

Artist: Yōshū Chikanobu (1838-1912) Title: Preparation for an Evening Concert (right-third of the triptych), from Ladies’ Etiquette Pictures (Onna reishiki no zu) Date: 1893 Medium: Polychrome woodblock print Gift of Ann and Donald McPhail   This print...
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ARTH 774 Japan and Paris, University of Pennsylvania