From Bach’s Partita no.2 in D-minor
From the article: “The Modern Score and Its Seven Modes of Performance”, Music in Time: Phenomenology, Perception, Performance: Essays in Honor of Christopher Hasty, edited by Suzannah Clark and Alexander Rehding, 109-150. Cambridge, MA: Department of Music, distributed by Harvard University Press, 2016.
waltz from Tchaikovsky’s “Swan Lake”
Melody from Beethoven’s Symphony no.5, 2nd movement
Harmonic example From Rachmaninoff’s Piano Concerto no. 2
