What are the ethics of narrating the past? I often wrestle with this question while researching the quotidian lives of African women and their daughters, in slavery and precarious freedom, from the sixteenth to the nineteenth centuries. Saidiya Hartman, in her essay “Venus in Two Acts,” reminds us to respect the “shrieks, the moans, the nonsense and the opacity,” of their experiences despite the want, or rather the need, for…