Publications
- “Machine-Aided Close Listening: Prosthetic Synaesthesia and the 3D Phonotext.” Digital Humanities Quarterly. Forthcoming.
- “Close Listening assistée par machine.” Book chapter in Les Archives Sonores de la poésie,” Les presses du réel. Forthcoming 2018.
- “Vachel Lindsay.” Invited contribution to the Encyclopedia of the Bible and Its Reception. De Gruyter Press. 2017.
- “Les archives sonores de la poésie – production – conservation – utlisation.” Transatlantica. 2017.
- Plural Imperative Reader, coeditor, with Michael Nardone and Danny Snelson. Created for gallery show at Printed Matter, curated by Craig Dworkin, Simon Morris, and Nick Thurston. December 2016.
- “Heart Murmur: Prosodic Mimesis in Melvin Dixon’s ‘Heartbeats.’” The Explicator. May 2016.
- “Vachel Lindsay and The W. Cabell Greet Recordings.” Chicago Review. May 2016.
- “Sur/Dans/Par Rature: The Quest for Media’s Vanishing Point in Crag Dworkin’s No Medium” (Book Review). The Volta Blog. May 16, 2016.
- “James Weldon Johnson and The Speech Lab Recordings.” Oral Tradition. March 2016.
- Editor, Robert Frost: The Speech Lab Recordings, previously unreleased audio of Robert Frost reading his poetry in 1933 and 1934.
- “’La parole au timbre juste’: Apollinaire, poetry audio, and experimental French phonetics.” Jacket2 Magazine. December 30, 2015.
- “Carl Sandburg and the Early Poetry Audio Archive.” Solicited by Inklings & Idlings, published by the Carl Sandburg Historic Site. Summer 2015.
- “The Noise is the Content: Toward Computationally Determining the Provenance of Poetry Recordings.” Jacket2 Magazine. January 10, 2015.
- “Joris, Jazz, and Experimental Writing: A book review of Pierre Joris’ Meditations on the Stations of Mansur al-Hallaj.” Notre Dame Review. February 2015.
- “Re-Rhythm: Jerome McGann’s Modern Reading of Poe’s ‘Annabel Lee.’” The Volta Blog. January 2015.
- Editor, James Weldon Johnson: The Speech Lab Recordings, December 24, 1935 at Columbia University, an audio collection of nearly event extant recording of James Weldon Johnson reading his poetry. Released November 2014 in PennSound.
- Editor, Harriet Monroe: The W. Cabell Greet Recordings, January 1932 at Columbia University, an audio collection of nearly every recording of Harriet Monroe reading her poetry. Released October 2014 in PennSound.
- Editor, The W. Cabell Greet Recordings: Vachel Lindsay’s Reading at Columbia University in 1931, an audio collection of every extant recording of Lindsay reading his work. Released June 2014 in PennSound.
- “Provenance Report: William Carlos Williams’ 1942 Recording for the National Council of Teachers of English.” Jacket2 Magazine. An essay on the provenance of the first recordings of William Carlos Williams. May
- “Aural Dialectics: On Allen Ginsberg’s Musical Rendition of Blake’s Songs of Innocence and Experience.” Empty Mirror. May 2014.
- “Charles Reznikoff’s ‘During the Second World War…’ as Objectivist Ars Poetica.” Empty Mirror. March 2014.