[Note: Director Basia Winograd’s 2014 documentary, Black Psychoanalysts Speak (which can be screened via YouTube, here), is required viewing in many of the undergraduate courses that I and my colleagues teach in the Psychoanalytic Studies program here at the University of Pennsylvania and in many such courses at other colleges and universities throughout the U.S., Canada, and the U.K. Whether our students are interested in psychoanalytic theory or in the history of psychoanalytic practice, they find that this splendid film answers many of their questions about the changing face of the profession and the changing terms of clinical and metapsychological discourse. What is the place of race in analytic thought and practice? Why are there still so few African American psychoanalysts? And what do they have to say about their own professional formation and about the extent to which discussions of race and related sociopolitical, cultural, and intergenerational experiences have been, until recently, virtually excluded from the analytic consulting room? My own students continue to be both dismayed and encouraged by the stories they hear from the analysts Winograd interviews in the film—stories of institutional and personal racism, stories of patients whose experiences as African Americans are routinely ignored or dismissed, and stories of gradual but meaningful change. Because Black Psychoanalysts Speak features in so many contemporary undergraduate courses on psychoanalysis, I’ve asked Basia Winograd to tell the readers of Psyche on Campus a bit about the making of the film and about the relation between cinema and psychoanalysis from the filmmaker’s perspective. Happily, she’s agreed! —Max Cavitch, editor]
As a documentarian, I’m often approached by someone convinced they know what my next film needs to be. Almost invariably, the project they have in mind is the moving portrait of an organization grappling with one of our civilization’s most pressing problems: climate change, poverty, gender inequality, racism, etc. I hate to sound cynical, but I’ve learned over time that such “films” rarely turn out to be more than vanity projects: fundraising videos disguised as art. I understand the need for fundraising, and I’m as terrified as anyone about all the world’s current and impending cataclysms. But let’s keep our categories clear. I went to film school. I know what a film is.
Thus, when I was approached in 2013 by a group of Black psychoanalysts searching for a filmmaker, I had my doubts about getting involved. At the time, I had only the vaguest notion of what a psychoanalyst was. Kind of like a psychologist, I thought, but maybe more eccentric? Maybe even a little perverse? I have plenty of admiration for mental health practitioners, but also a strong suspicion of anything that smacks of eurocentrism…like a universal theory of human behavior developed by a cigar-smoking middle-class doctor in turn-of-the-century Vienna.