I was asked to write 200 words about Auschwitz for some sort of commemoration marking 75 years after liberation. I wrote what is below—actually 267 words. Survivor testimony presents its great challenges, but it is a subjectivity so intensely collective that it makes for a new kind of objectivity. One...
We are adding a filmed discussion of Stephen Ratcliffe’s Sound of Wave in Channel, his 1,000-page poem which, in part, describes a view of the Pacific Ocean from a spot along the road in Bolinas, California—describes it every day for those 1,000 days. Earlier we released a PoemTalk episode filmed...
This is David Slarskey, tweeting all these years later about his experience in English 88, the course on modern and contemporary experimental poetry I’ve been teaching now for 34 years. David took the experimentalism seriously, as you’ll see. This being twitter, you’ll need, of course, to read from bottom to...
We here at 3805 Locust Walk are thrilled to announce that MAYA ARTHUR (C’18) has been selected as the inaugural Kelly Writers House Post-Baccalaureate Fellow. The KWH Post-Bacc Fellows project extends a central objective of the Writers House: to direct resources toward opportunities, learning experiences, and foundational support to young...
Paris today (June 2): did much, but two highlights—a long intense visit to the powerful & in some ways heartening “Young Artists of Europe” show at the amazing Fondation Cartier pour l’art contemporain; and a briefer but pleasurable visit to the Picasso Museum, which featured a Picasso/Calder show. Nika Kutateladze...
Paris today (June 1), part 2 of 2: an astonishing show at the Musée du quai Branly about Félix Fénéon who was an anarchist and art critic (first identified the neo-Impressionists as such and supported them intellectually, critically & as himself a collector) and also strongly advocated for the inclusion...
Al Filreis is Kelly Professor, Faculty Director of the Kelly Writers House, Director of the Center
for Programs in Contemporary Writing, Co-Director of PennSound, and Publisher of Jacket2—all at the University of Pennsylvania. Among his books are Secretaries of the Moon,
Wallace Stevens & the Actual World, Modernism from Left to Right, and Counter-Revolution of the Word: The Conservative Attack on Modern Poetry, 1945-60. He is currently writing a book on the art & avant-garde of 1960. He has taught a massive open online course, "ModPo," to 165,000 participants in 192 countries since 2012.
Founder/Faculty Director, Kelly Writers House—intro video ][ events calendar
Convener/teacher, “ModPo.” an open online course on modern & contemporary U.S. poetry—overview of the course ][ intro video
Publisher of Jacket2 magazine—my Jacket2 commentary series ][ "First Readings"
Producer/host, PoemTalk podcast series—co-sponsored by Kelly Writers House & the Poetry Foundation
Director of the Center for Programs in Contemporary Writing—Critical Writing ][ Creative Writing ][ RealArts internships ][ Fellow in Poetics & Poetic Practice
Co-founder & co-director of PennSound—50,000 files ][ 12 million downloads annually
Teacher & host, "Kelly Writers House Fellows"—since 1999 ][ Susan Sontag, John Ashbery, Jamaica Kincaid, Laurie Anderson, Adrienne Rich, Joan Didion, John Edgar Wideman & more
Teacher, "Representations of the Holocaust"—a course on survivor testimony ][ my holocaust site
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Cecilia Vicuna gets ready to perform at the Kelly Writers House, February 2017. Click on the image for a larger view.
PoemTalk’s crew took to the road, wandering pretty much as far west as one can go on this continent, to a place Philip Whalen called, in a poem’s subtitle, “the last of California” — Bolinas, coastal spot famous as A congenial writer’s retreat. Stephen Ratcliffe, Joanne Kyger, and Julia Bloch gathered there with Al Filreis to talk about Whalen. Our poem was indeed written in Bolinas, in 1968, and finished in Kyoto in 1969. It’s called “Life at Bolinas: The Last of California.” Whalen’s PennSound page includes a recording of his performance of this poem, the final poem he read at an event in Albuquerque in 1987. Click HERE to read program notes and LISTEN TO THE SHOW.
ModPo is a fast-paced introduction to modern and contemporary U.S. poetry, with an emphasis on experimental verse, from Emily Dickinson and Walt Whitman to the present. Participants (who need no prior experience with poetry) will learn how to read poems that are supposedly "difficult." We encounter and discuss the poems one at a time. It's much easier than it seems!
Click HERE to enroll.
Even though we are currently in our offseason ("SloPo"), you are welcome to enroll now. You will have access to the entire ModPo site. Explore; meet some ModPo'ers who are conversing in the site year-round; read poems and watch videos. Then join us again when the intense "symposium mode" starts up again in September.
Yes, the next live, interactive 10-week session of ModPo will begin on September 9, 2017, and will conclude on November 20, 2017. Al Filreis will be in touch with you by email before the September 9 start of the course with all the information you'll need to participate. If you have questions, you can email the ModPo team at modpo@writing.upenn.edu.
During the 10 weeks of the course, you will be guided through poems, video discussions of each poem, and community discussions of each poem. And (unique among open online courses) we offer weekly, interactive live webcasts. Our famed TAs also offer office hours throughout the week. We help arrange meet-ups and in-site study groups.
If you are curious about the ModPo team, type "ModPo YouTube introduction" into Google or your favorite search engine, and watch the 20-minute introductory video. You will get an overview of the course and will meet the brilliant TAs, who will be encountering the poems with you all the way to the end.
ModPo LINKS:
enroll [free]: LINK
Facebook group: LINK
Twitter feed: LINK
intro video: LINK
YouTube videos: LINK
