Photo: The collection of Archaic Greek terracotta figurines at the Museum of Fine Arts, Boston (MFA), image courtesy of author. Food for Thought: Women’s Domestic Roles through the Culinary Iconography of Archaic Greek Terracotta Figurines By Camille Blanco Among the corpus of ancient Greek artifacts found in the eastern Mediterranean, ceramics and pottery remain […]
Al(l)ia Potestas: A Woman with a Different Authority
Al(l)ia Potestas: A Woman with a Different Authority
By Daniel Campos-Rojano
A strange funerary inscription dedicated to a certain Allia Potestas has puzzled philologists for its language, layout, and outlandish content. The epitaph, written primarily in dactylic hexameter, was found near the Salary-Pinciano burial ground in Rome, a site that was primarily in use from the decline of the Republic to the end of the Flavian Age. Although the dating is controversial, the inscription is generally dated to the early Imperial Age. The poet often alludes to or outright quotes Ovid as a source of literary inspiration which supports this dating…
Medea Through the Centuries
Medea Through the Centuries
By Maggie Yuan
A witch. A sorceress. An enchantress. Each of these terms have been ascribed to Medea, the Colchian princess who married Jason and aided him in his quest for the Golden Fleece. Her story has fascinated audiences for centuries, inspiring writers to craft their own versions of the myth…
Practical Just War: St. Augustine & His Framing of Just War Theory
Practical Just War: St. Augustine & His Framing of Just War Theory
By Benjamin Elkins
Today, the application of moral terms to warfare may seem quite ordinary. Discussions about which military general is or is not a criminal, which states are just or unjust, or who should or should not be held accountable for war crimes are commonplace within modern discourse. When Russia invaded Ukraine in 2022, scholars were quick to call it an unjust war of aggression. As a result, thousands of people bought flags and posters that read “Slava Ukraini” — glory to Ukraine. Throughout the 2023 Hamas-Israel war, numerous opinion pieces have been published evaluating the morality behind either side…
Homeric Poetry and the Construction of Humane Understanding
Homeric Poetry and the Construction of Humane Understanding
By Eden Riebling
In recent years, an interdisciplinary subfield sometimes called Empathy Studies has become central to the literature on diversity, equity and inclusion. Yet empathy remains an elusive concept, more easily praised than implemented or understood. The Oxford English Dictionary defines empathy as “the ability to understand and appreciate another person’s feelings, experience, etc.
Lucretia Moribunda: Honor and Suicide at the Hands of Sexual Assault in Livy’s Book One
Lucretia Moribunda: Honor and Suicide at the Hands of Sexual Assault in Livy’s Book One
By Dara Sánchez
After translating and analyzing a section of The Passion of Perpetua and Felicity, I chose to translate a passage from the first book of Livy’s Ab Urbe Condita because, like the early Christian martyrs Perpetua and Felicity, Lucretia was a martyr who died for her moral beliefs. Although these women had different religious creeds, they were both concerned with virtues like modesty and honor. Moreover, the horrible conditions that they endured because of a violent outside world, such as Tarquinius’ sexual assault of Lucretia and the bodily harm Perpetua experienced during the circus games, made these women sympathetic yet courageous personalities…
The Mēchanē in Prometheus Bound: Recognizing the Role of Technology on Stage
The Mēchanē in Prometheus Bound: Recognizing the Role of Technology on Stage
By William Gerhardinger
Prometheus Bound, henceforth PB, poses an insoluble scholarly puzzle. In addition to its authorship and date—and, in fact, intertwined with them—matters of its stagecraft have given rise to a heated scholarly debate. Most prominent among these is the question of how Oceanus’ seemingly aerial mode of transportation (284-87, 394-96) was achieved. Alan Sommerstein suggests the effect was achieved by using a flying-machine—namely the mēchanē, a sort of crane which lifted actors…
Kubrick’s Spartacus: A Legacy of Mediocrity
Kubrick’s Spartacus: A Legacy of Mediocrity
By Taína Monegro
The concept of mystery has played a paradoxical role in the lives of humans: we are reverently fearful of it and enticed by it. This makes the study of classics deeply magical. It remains a mystery that continually eludes historians, offering mere morsels of itself at a time. Moreover, the greater reality remains ever-present: while worshiping at the increasingly stingy altar of this fickle mistress we call classical studies, time clamors on, pulling us further away from the ancient past we seek to decode. This may be why cinematic portrayals of the classical world are so often woefully short. For those of us who cling to these morsels of the past, what makes most classical stories so magical cannot coexist with the magic of cinema; mystery clashes with reality. In the case of Stanley Kubrick’s 1960 blockbuster Spartacus, I argue that it was a conglomeration of the two – the latter filling in the cracks of the former – that led to the film’s attempt at doing the legend of Spartacus justice…
Plutarch, Life of Antony Chapters 4 and 24.6–7
Plutarch, Life of Antony Chapters 4 and 24.6–7
By Noah Apter
Of all the classical historians on offer to us, what appeal does Plutarch have? What, if anything, causes him to stand out amongst the likes of Tacitus, Suetonius, Thucydides, Herodotus, and others? I believe the allure of Plutarch’s writing is that he captures the humanity and psychology of his subjects with greater depth than any of his contemporaries or those before him. There is no greater example of this than his writing on Mark Antony. Plutarch remarks on his jests and camaraderie with fellow soldiers, his great generosity, and (briefly) his efforts to deliver justice to those who were wronged…
Echoes in the Forest: Fable Tradition and Ovid’s Metamorphoses in Phaedrus 1.12
Echoes in the Forest: Fable Tradition and Ovid’s Metamorphoses in Phaedrus 1.12
By Alethea Lam
Phaedrus opens Book 1 of his fables with the phrase Aesopus auctor, anchoring his work in the animal fable tradition of the legendary Greek storyteller. With this phrase, the Latin poet credits Aesop as the pioneer of the genre itself as well as the original narrator of the fables he is about to retell (Phaedrus 1.1.1). Phaedrus’s poems exhibit the classic characteristics of animal fable, namely morals communicated in promythia and epimythia, instructive narratives to demonstrate these lessons, and recurring semi-anthropomorphized animal characters whose behavior reflects stereotypes of their species.