The Reception of Minoritized Translators of Classical Epic Poetry

The Reception of Minoritized Translators of Classical Epic Poetry
By Imaan Ansari

Translating without interpreting is nearly impossible. The primary factors affecting a translator’s decisions are the original work’s author, the author’s intended audience, and the audience receiving the translation upon publication. No translator is impartial; otherwise, all translations would be the same. For ancient literature, the progression by which translations are differently received throughout time can be understood through the prism of “Classical reception,” a phenomenon that also crafts the archetype of the accepted or ideal translator…

Fables of Phaedrus, “The Dogs Sent Envoys to Jupiter”

Fables of Phaedrus, “The Dogs Sent Envoys to Jupiter”
By Dara Sánchez

Animal fables in ancient Rome were not viewed with high regard in comparison to other genres of literature. Yet Phaedrus, an alleged freeman of Augustus from the 1st century AD, does not allow these preconceived notions to deter his ambitions. In this feces-filled poem, Phaedrus describes to us an etiological myth that explains why dogs smell each other’s behinds. He mixes the sacred gods, Jupiter and Mercury, with the vulgarity of dogs and excrement, contrasting such different things, and playing on borderline absurdity…

Penelope’s Wait: A Translation of Ovid’s Heroides Book I Lines 1–50

Penelope’s Wait: A Translation of Ovid’s Heroides Book I Lines 1–50
By Erin Schott

Homer’s Iliad and Odyssey have endured for thousands of years because they tell stories still true to the human experience. The Iliad recounts the horrors of war and the egotism of those in power, while the Odyssey narrates an arduous homecoming to a place that is not the same as before…

Nature’s Prominence

Nature’s Prominence
By Imaan Ansari and Caroline Pantzer

We prepared a poem centered around the myth of Daedalus and Icarus in Ovid’s Metamorphoses. We focused on the phrase, “nātūram novat,” meaning “he altered nature,” and explored how Daedalus’ desire to alter nature affected both characters throughout the story. Daedalus yearns to be a master craftsman, overstepping his status as a mortal to create wings for his son Icarus, who ultimately “flies too close to the sun” and dies. In our poem, we retell the story of Daedalus and Icarus, displaying how “nātūram novat” becomes incorporated into their journey.

Romanus Graecisans: How The Emergence of Rome Impacted The Greeks

Romanus Graecisans: How The Emergence of Rome Impacted The Greeks
By Frederick Frostwick

The expansion of the Roman empire into the east under Augustus both represents the largest growth of the city’s power up to that point and reveals the issue of integrating the Greek-speaking colonies freshly under Roman rule. How the newly conquered Greeks identified their sense of ‘self’ and how their Roman overlords maintained rule of law in the region through a new language of diplomacy…

The Oresteia: Entanglement in Nets and Blood

The Oresteia: Entanglement in Nets and Blood
By Citlali Diaz

The Oresteia, written by Aesychlus, is composed of three separate plays, each of which focuses the attention on the different characters involved in the same conflict of violence. Whether it is Agamemnon, The Libation Bearers, or The Eumenides, regardless of the focus on Clytemnestra, Orestes, or the Furies, the Oresteia as a whole highlights the consequences which arise out of intrafamilial bloodshed…

Bulls, Borders, and Banknotes: Europa and the Shaping of a Modern European Identity

Bulls, Borders, and Banknotes: Europa and the Shaping of a Modern European Identity
By Jason Huang

Recent scholarship on the geography and geopolitics of the European Union (EU) has found the entity to be much more territorially complicated than its name suggests. A quick glance at a map of the EU today reveals that, quite paradoxically, not all European regions are a part of the EU and that not all EU territories are within continental Europe…

The Triumph of Life over Death

The Triumph of Life over Death
By Kailia Utley

Exploring the influence of Classical Antiquity on the Italian Renaissance in art pieces that commemorate the lives of prominent individuals such as the Emperors Constantine and Titus from the Roman Empire, and the humanist scholars Leonardo Bruni and Carlo Marsuppuni from the Florentine Renaissance.

Kindred

Kindred
By Citlali Meritxell Diaz

Niobe and Medea were both mothers who, through their actions, brought about their own children’s end. Mocking Leto for only having two children, Niobe attracted the goddess’ wrath, resulting in the death of her fourteen children at the hands of Apollo and Artemis, Leto’s progeny. Similarly, Medea’s own wrath against her unfaithful husband struck down her children. She killed their children and his new wife, leaving him effaced in his bloodline…

Dido’s Ambiguous Depictions: Powerless or Empowered?

Dido’s Ambiguous Depictions: Powerless or Empowered?
By Caroline Pantzer

Did Roman audiences view powerful female characters of myth and literature in a dismissive, simplistic manner? Or did they understand and appreciate the complexity and ambiguity of such figures? In writing the Aeneid between 30–19 BC, Vergil places himself as an author within the epic tradition’s pre-existing “literary canon” of powerful, intelligent female characters…