“Canto Audentium” (I Sing of the Daring)

“Canto Audentium” (I Sing of the Daring)
By Lily Nesvold

After reading Dante’s Inferno in high school, I was inspired to write a descriptive piece that mimics his style of writing but presents a modern twist and incorporates the Latin language. Set forty years in the future, my rendition of the classic depicts a sin—hubris—tacked onto the end of “Incontinence,” the initial subsections of Hell, but occurring before the walls of the city of Dis…

Classics Must Be Anti-Racist

Classics Must Be Anti-Racist: The Classics Studies Department’s Anti-Racism Working Group at Penn
By Cecelia Heintzelman

Classics is at breaking point, one where it must decide to be actively anti-racist.

Our seemingly small field exploded into public controversy after the recent publishing of the New York Times’s article about Princeton professor Dan-el Padilla Peralta. The NYT article, “He Wants To Save Classics From Whiteness. Can the Field Survive?” begged the question: if we attempt to make Classics an anti-racist field, will it remain Classics as we know it…

Catullus 101: Hello and Goodbye

Catullus 101
By Sara Albert

Catullus wrote this elegy while mourning the untimely death of his brother. Despite the fact that he wrote it so long ago, the raw emotion he expresses throughout the piece is timeless and universal. Any reader who has lost someone special to them knows how Catullus felt in the moments he describes…