For Medea, Love is Fear, and Love is Fire
By Rebecca Onken

Medea is, for many (classicists and armchair consumers alike), the quintessential classical witch. Her powers dazzle. Her escapades are many and run the gamut of moral acceptability: she ensures Jason’s success in attaining the golden fleece by means of wondrous “medicines,” returns the blush of youth to an ailing old man, orchestrates the murder of a different old man, kills roughly three family members, and spirits away from her crimes on a chariot drawn by dragons…